How flattering to see Woman's World listed in Warren Lehrer's favourite design book list at Designers& Books, New York. This is what he says about it.
This is one of the most surprising, enjoyable, couldn’t-put-it-down books I have read in years. It’s surprising in a number of ways. First, it’s important to know that this book was assembled (written/composed, pick your verb here) from 40,000 fragments of text snipped from 1960s British women’s magazines. (Rawle apparently wrote a draft of this pulp-noir, gender-bending story, then rewrote it like a mosaic using all these found snidbits.) So, the first thing that is surprising is how unfragmented the writing is. The second surprise is how fabulously scrumptious the sentences are, particularly Rawle’s descriptions, in large part because of his peculiar, painstaking process that produces wildly unexpected (and often funny) phrasings that wouldn’t otherwise come to a writer’s mind. The lion’s share of good Dada poems have numerous bizarrely fantastic lines in them, but the poems remain absurd, for the most part. In Woman’s World, every sentence has meaning and helps move the story forward. The third and perhaps most revelatory surprise is how downright breezy a read this book is, considering that nearly every word or phrase-chunk is a different size and typeface, aligned by hand with glue and exacto knife along wobbly baselines—which flies in the face of (probably) every study ever made about legibility. Ph.D. candidates, this is the basis of a doctorate in waiting.
Warren has a new book out that looks beautiful and sounds really interesting. I've just ordered it for myself. You can 'look inside' on Amazon. Here.